A few examples of appraisal values for
DUMONT

• JOSEPH ALBERS, HOMAGE TO THE SQUARE
  JOSEPH ALBERS, HOMAGE TO THE SQUARE NO. SP-1Joseph Albers (Germany, 1888-1975)Homage to the Square No. SP-1screenprint in colors on wove papera Dumont: Art '73 poster signed and dated Albers '73 printed and published for and by the Galerie Wi
• HENRI LOUIS LEVASSEUR (FRENCH, 1853-1934)
  HENRI LOUIS LEVASSEUR (FRENCH, 1853-1934) ATHENA AND PEGASUS Patinaed bronze, signed 'Henri LeVasseur Sculpt.' and stamped with foundry (on reverse). Henri Louis Levasseur (French, 1853-1934) Henri Louis Levasseur was a French artist who studied under Eugene Delaplanche, Emile Thomas, and Auguste Dumont. His works were cast extensively by Society des Bronzes of Paris. Levasseur was deeply influenced by the Art Nouveau movement and this affinity for naturalism would continue to impact the works he created in the Art Deco taste. His oeuvre is almost entirely figural with a broad range that includes historical figures, mythological subjects, religious figures, and his later contemporary themes of labor, industry, and brotherhood.
• AFTER E. A. AIZELIN "NYMPHE DE DIANE"
  AFTER E. A. AIZELIN "NYMPHE DE DIANE" MARBLE,19 C. After Eugene-Antoine Aizelin (French, 1821-1902), Marble Sculpture, depicting an attendant of goddess Diana, last quarter nineteenth century, signed "E. Aizelin" and "F. Barbedienne / Editeur" to base, inscribed "Nymphe de Diane" to front. Previous restoration work to raised finger. 30" H x 12.5" W x 9" D. Literature: S. Lami vol.1, pp.6-10, Musee d' Orsay, p. 34. Notes: Aizelin studied under Augustin-Alexandre Dumont (French, 1801-1884) and exhibited regularly at the Salon between 1852 and 1897. He won a gold medal at the Exposition Universelle of 1889 and in 1867 made a Chevalier of the Legion d'Honneur. The original model for the "Nymphe de Diane" was exhibited at the Salon of 1885 (No. 3276) and later released in editions in bronze and marble by Ferdinand Barbedienne. Another marble example of this work was sold, Sotheby's, New York: The Private Collection of Lionel Hastings: 19th and 20th Century Sculpture and Furniture, 14 April 2008, lot 30. Keywords: Belle Epoque, Statue, Carrara marble, Mythology, Classical motif, Antique
• JACQUES DUMONT LE ROMAIN (FRENCH, 1701-1781).
  JACQUES DUMONT LE ROMAIN (FRENCH, 1701-1781). Sanguine on paper. Portrait of a Man. Initialed lower left. From a Pelham, NY collection. Dimensions: Sight: 8.5" high x 7.5" wide Condition: Framed behind glass, not examined out of frame. Minor creasing.
• EUGENIO DUMONT (SPANISH, 1864-1927).
  EUGENIO DUMONT (SPANISH, 1864-1927). Oil on canvas. Beach scene. Signed lower left. From a Long Island, NY collection. Dimensions: 8" high x 10.25" wide Condition: Spot loss.
• ALFRED EMIL PAUL ETIENNE DUMONT (SWISS,
  ALFRED EMIL PAUL ETIENNE DUMONT (SWISS, 1828-1894) . Oil on panel. Shepard in a Stormy Landscape. Signed lower right. Dobiaschofsky auction labels affixed verso. From a Washington collection. Dimensions: 16.5" high x 22.5" wide Condition: Scuffs and scratches.
• JEAN-JACQUES HENNER (FRENCH, 1829 -
  JEAN-JACQUES HENNER (FRENCH, 1829 - 1905) 38" x 28" canvas We are grateful to Ms. Isabelle de Lannoy, who confirmed authenticity of this lot and will be including this painting into the forthcoming third volume of Jean-Jacques Henner Catalogue Raisonné. Nude in Landscape. Oil on canvas, signed in the lower right, in an intricately carved gilt wood frame, overall 46" x 36". This is is a large variant of "Spring" exhibited at the 1881 Paris Salon (Catalogue Raisonné 2008, C.632). Provenance researched and provided by Ms. de Lanoy: Hammer Gallery label verso. "Spring. Large Variant could be compared to four large variants in the Jean-Jacques Henner Catalogue Raisonné 2008, volume 2, pp.13-14): C.653, commissioned by Mrs. Charras in 1881, Henner Museum, Paris; C.654, purchased by Mr. Dumont about 1881; C.655, commissioned by Mrs. Lorillard Wolfe in 1881, Metropolitan Museum, New York; C.656, sold to Goupil in 1881, once in the Havemeyer collection.22937 BVL on stretcher means it was once in Boussod-Valadon Gallery. We know that Boussod-Valadon and Goupil were related (Boussod and Valadon were Goupil’s sons-in-law) but we cannot prove your painting could be C.656 (sold to Goupil in 1881) or C.654, both not located to date. A label on the frame, from the Hammer Galleries, gives us title and registered number 15770-4 but we do not know when Hammer purchased this Nude in Landscape and to whom."
• Walter Darby Bannard 1934–2016. The
  Walter Darby Bannard 1934–2016. The Storm and the Blessing. 1978, alkyd resin on canvas laid to board. 9½ h × 46 w in. result: $1,500. estimate: $1,800–2,400. Signed, titled and dated to verso ‘The Storm and the Blessing Bannard 78’. Provenance: Dumont-Landis Fine Art, New Brunswick, NJ | Private Collection
• "DUCK SOUP" (PARAMOUNT 1933) LOBBY CARD,
  "DUCK SOUP" (PARAMOUNT 1933) LOBBY CARD, MARX BROTHERSMarx Brothers "Duck Soup" (Paramount 1933) lobby card. This image features Harpo, Chico, Louis Calhern and the Groucho foil, Margaret Dumont. Dimensions: 11" x 14". Processing and shipping within the continental U.S. $40.00 plus 1.5% replacement cost insurance. Condition: Multiple pinholes in corner. Creases and folds at corners. Small losses at corners. Toning. Scattered discolorations. Please see photos. Witherell's strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherell's. All lots are sold "AS IS" under terms and conditions. Please be advised we do not provide porters nor packing materials for pick ups.
• A SET OF FOUR FRENCH VUE D'OPTIQUE HAND-COLORED
  A SET OF FOUR FRENCH VUE D'OPTIQUE HAND-COLORED ETCHING...A SET OF FOUR FRENCH VUE D'OPTIQUE HAND-COLORED ETCHINGS, CIRCA 1770 comprising: a) Prospectus horti Vauxhall / Le Jardin de Vauxhall (76e Vue d'Optique) (Paris: Chez Dumont, circa 1770), image: 27 x 41.5 cm (10 5/8 x 16 3/8 in.) b) Decoration de Theatre representant les Jardins de Circe Magicienne femme de Minos (Paris: Chez Dumont, circa 1770), image: 24.5 x 45 cm (9 5/8 x 17 3/4 in.) c) Vue de la Fontaine du Jardin de Montalte au Terme de Diocletian sur le Mont Vuninal a Rome / Fontana e Pisciera nel Gardino Montalto alle Terme Diocletiane (no. 152) (Paris: Chez Basset, circa 1770), numbered upper right, titled and inscribed with publisher information in lower margin, image: 27 x 40 cm (10 5/8 x 15 3/4 in.) d) Vue perspective d'un superbe Palais, aux environs de Madrid en Espagne (no. 257) (Paris: J. Chereau, circa 1770), image: 25 x 41.5 cm (9 7/8 x 16 3/8 in.) CONDITION Observed in frame, the sheets appear in good condition. Scattered small stains spots to the center and upper right of the image of (a). Overall toning and a stain to the upper right margin of (c). N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• STEPAHNIE DUMONT MOTHERS AND DAUGHTERS
  STEPAHNIE DUMONT MOTHERS AND DAUGHTERS IN GARDEN O/CStephanie Dumont, Fr-Am, 20th c. Mothers and Daughters in Garden , Impressionist oil on canvas, signed obscurely lower left Dimensions: 8x10, framed 14x16 (TCRE3002)(TC) Condition: very good original condition, clean
• SIGNED WARHOL WATERCOLOR - FERNS & FLOWERS,
  SIGNED WARHOL WATERCOLOR - FERNS & FLOWERS, CA. 1958Andy Warhol (American, 1930-1987). Untitled (flowers and ferns) ink and watercolor, ca. 1958. Signed by the artist in black ink below the artwork. A blotted-line drawing in black ink embellished with watercolor and depicting a near-symmetrical composition featuring two fern plants of citrine hues with floral blossoms of tangerine, vermilion, and white, as well as sprigs of buttercup yellow leaves. In addition to being signed in black ink below the image, the artist's estate stamp ("The Estate of Andy Warhol") is on the verso, as well as an exhibition label for the Dumont-Landis Fine Art gallery. Size of artwork: 10.875" L x 14.125" W (27.6 cm x 35.9 cm) Size of frame: 12.875" L x 15.875" W (32.7 cm x 40.3 cm) The subject of this piece is particularly unusual, because Andy Warhol's life and art were more typically focussed on consumer culture, celebrity, and mechanical reproduction. Indeed, Warhol was a champion of the Pop Art movement and responded to mass-media culture like his contemporaries Robert Rauschenberg, Jasper Johns, and Roy Lichtenstein. Warhol created masterful silk-screen prints such as his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe and Elvis Presley, in characteristic hard edges and a candy-like color palette. "The best thing about a picture is that it never changes, even when the people in it do," he once explained. Indeed, Andy Warhol created some of the most iconic images of the 20th century; however, this particular work departs from his usual themes, making it all the more special. Andy Warhol was born and raised in Pittsburgh, Pennsylvania. He graduated from the Carnegie Institute of Technology in 1949 and then moved to New York City to pursue commercial art, working for fashion magazines like Glamour and Vogue. In the 1960s, Warhol rented a studio loft in Midtown Manhattan, famously later known as The Factory. The Factory was a hub for artists, movie stars, and models, who became subjects and inspiration for Warhol's prints and films. In addition, the space served as a performance venue for the The Velvet Underground, an American rock band led by singer/guitarist Lou Reed which Warhol managed. By the 1980s, Warhol was also collaborating with rising artists such as Jean-Michel Basquiat and Keith Haring. Following Warhol's death at age 58, due to complications from routine gall bladder surgery, his estate became The Andy Warhol Foundation. In 1994, The Andy Warhol Museum museum opened in his native Pittsburgh. Today, Warhol's works are appreciated throughout the world and may be viewed in major museum collections such as the Art Institute of Chicago, the Whitney Museum of American Art in New York, and the Tate Gallery in London. See a similar piece by Andy Warhol in the Minneapolis Institute of Art - Accession Number 2003.228.70. Although the MIA's piece presents the same subject, it is painted with sightly different palette and signed at the side rather than below. A digital copy of an evaluation of this piece by art historian and award-winning TV personality Dr. Lori Verderame is available upon request. This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world’s largest database of stolen art, collectibles, and antiques. Provenance: private Ontario, Canada collection, acquired from Estate sale and gifted from sister; ex Dumont-Landis Fine Art, New Brunswick, New Jersey, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #167276 Condition: Signed by the artist in black ink below the artwork. Artist's estate stamp ("The Estate of Andy Warhol") on verso. Dumont-Landis Fine Art, New Brunswick, New Jersey exhibition label on verso. Artwork has not been examined outside the frame but appears to be in excellent condition. Frame is intact and fitted with a suspension hook.
• GABRIELLE DUMONTET (D.1936) SUSSE FRERES
  GABRIELLE DUMONTET (D.1936) SUSSE FRERES BRONZEPatinated bronze sculpture, Boy Opening his Savings Box, signed in cast G. Dumontet (Gabrielle Dumontet, French, 1860-1936), Susse Freres, Paris, approx 16.25"h, 5.75"diam, 10.25lbs
• FOUR HAND PAINTED MINIATURE PORTRAITS
  FOUR HAND PAINTED MINIATURE PORTRAITS OF WOMENFOUR HAND PAINTED MINIATURE PORTRAITS OF WOMEN. Signed "Dumont," "Sori," "Lebrun," and the fourth unsigned. Images measure from 2.5" x 2" to 3.25" x 2.75". Two portraits in velvet frames, one in an ornate metal frame, and the fourth in a faux tortoise shell frame.
• COLLECTION OF 17 LIMOGES BOXESCOLLECTION
  COLLECTION OF 17 LIMOGES BOXESCOLLECTION OF 17 LIMOGES BOXES, including a commemorative box of the World Trade Center, numbered 336/750; a rabbit coming out of a black top hat, a LaGloriette box of an open book of poetry with a rose across the open pages, a small dog house, a bottle of Bordeaux, a box formed as an outdoor bench with a hat and pink scarf, a box of Camembert with cheese wheel inside, a yellow sun hat, a dessert plate with an eclair on it and a spoon, a family group of tigers, numbered 126/750; a model of Venus de Milo after Botticelli, numbered 125/750; an RG baby carriage with baby inside, numbered 88/750; a T. Dumont model of a leopard spotted purse with a perfume bottle inside, numbered 024/750; a Limoges Limited Edition blue crab, with a small scallop shell inside, numbered 47/500; an Artoria Limoges box formed as a windmill, numbered 199/1000; a Rochard box formed as a flower seller's cart topped by a pink umbrella and a small circular box, the lid decorated with a cockerel atop a cannon and inscribed 'Je chante por la Liberte 1789', largest 5'' H (17)
• AFTER EDME DUMONT (1722 - 1775): "MILO
  AFTER EDME DUMONT (1722 - 1775): "MILO DE CROTON"cast by Susse Freres; bronze with brown patina; signed in casting "E. Dumont Sclp", "Cire Perdue" and "Susse Frs. Fondrs. Paris"; Provenance: Estate from The Wilshire, Los Angeles; 11 1/2 inches wide; 11 inches deep; 23 inches high Condition:
• FRANCOIS DUMONT, BELGIAN 19TH CENTURY,
  FRANCOIS DUMONT, BELGIAN 19TH CENTURY, NOBLEWOMAN AND CHILD BEFORE A CASTLE, OIL ON CANVAS, FRAMED, 57 X 33-1/2 INCHESFrancois DuMont, Belgian 19th Century, Noblewoman and Child Before a Castle, Oil on Canvas, Framed, 57 x 33-1/2 inches
• THREE NAPOLEONIC PRINTSThree Napoleonic
  THREE NAPOLEONIC PRINTSThree Napoleonic Prints , Françoise Georgin (French, 1801-1863), "La Famillie Impériale", hand-colored woodcut, signed in plate, published by Pellerin, Épinal, sight 25 in. x 16 in.; After Andrea Appiani (Italian, 1745-1817), "Portrait de Napoléon en Grand Costume de Roi d'Italie", lithograph, printed by Sentex, Paris, sight 9 in. x 6 1/2 in; and After Françoise Dumont (French, 1751-1831), "Napoléon", lithograph, sight 18 in. x 14 in., each framed. (3 pcs.)
• CARTIER, REF. 2788 18K ROSE GOLD 'SANTOS
  CARTIER, REF. 2788 18K ROSE GOLD 'SANTOS DUMONT' WATCH 30.00 x 27.00 mm case dimensions, silvered dial, black Roman numerals with secret signature at 10 o'clock, after-market diamond bezel, quartz movement, pink leather strap signed Cartier with deployant clasp. 6 1/4 inches inner circumference. Case back stamp: Cartier WATER RESISTANT SWISS MADE 750 (Swiss hallmarks) 819497CE 2788.
• (10) VOLS., VINTAGE AVIATION AND AIRCRAFT
  (10) VOLS., VINTAGE AVIATION AND AIRCRAFT Includes: 1) Hylander. Cruisers of the Air. Macmillan, 1931; 2) A. Santos-Dumont. My Air-ships. The Century Company, 1904; 3) Hanna Reitsch. Flying Is My Life, Putnam's, 1954; 4)&5) New England Aviators 1914-1918 Their Portraits and Their Records, 2 vols., Houghton Mifflin, 1919; 6) Gill. The Flyer's Guide: An Elementary Handbook for Aviators. Dutton, 1917; 7) Jordanoff. Your Wings. Funk & Wagnalls, 1937; 8) Duchene. The Mechanics of the Aeroplane. Longmans, Green, 1918; 9) Colegrove. International Control of Aviation. World Peace Foundation, 1930; 10) Zweng. Flight Instructor. Pan American Navigation Service, 1942, signed and inscribed by author; 9.75"h x 7.5"w (largest)
• (7) ENGLISH, FRENCH & GERMAN CERAMIC
  (7) ENGLISH, FRENCH & GERMAN CERAMIC TABLE BOXES(lot of 7) English and Continental ceramic boxes and dishes, each with parcel gilt accents, painted florals and foliate motifs, including: (4) French Limoges porcelain wares, each marked Limoges underfoot, (one) hinged-lid box, J. Dumont, (one) egg-shaped box, marked LEC underfoot, (one) shell-form dish, with central angel motifs, (one) rectangular lidded box, largest: approx 1.75"h, 4"w, 3"d; (2) German basket-woven porcelain bowls, Von Shierholz, maker's mark underfoot, approx 1.25"h, 3"diam; (1) English Staffordshire bone china lidded box, inscribed "My love for you is ever true" at lid, maker's mark underfoot, approx 1.5"h, 2.5"w, 1.5"d; 1.3lbs total **Provenance: A prominent Houstonian's River Oaks Estate**
• FOUR NEW JERSEY COLONIAL LOTTERY TICKETS
  FOUR NEW JERSEY COLONIAL LOTTERY TICKETS Many things in Colonial America were financed and paid for using Lotteries. George Washington ran or supported many a Virginia lottery. Their use is similar to ours today but in the 19th century several were fraudulent and lotteries were banned until early in the 20th century These four are from 1) Princeton and Newton - The holder of this ticket was entitled to the prize as passed by the legislature in Perth-Amboy June 1790 - signed by John Beatty in red ink, indented and printed like the colonial currency that was worthless by 1890, 2 & 3) Somerset 2 consecutive tickets (5295 and 5296) signed by Colonel Peter Dumont Vroom who fought in the Revolution and was a Somerset Assemblyman. His son later became the 9th Governor of New Jersey, 4) Patterson - This lottery was for the Society of Establishing Useful Manufactures; All four tickets were subject to a 15% deduction
• A French silver bowl, pseudo 18th Century
  A French silver bowl, pseudo 18th Century marks, circa 1860, with coin inset base, the name L Dumont and bogus date 1782 at the lip and lion mask headed handles, 17cm wide, approximately 297gm
• A French silver bowl, pseudo 18th Century
  A French silver bowl, pseudo 18th Century marks, circa 1860, with coin inset base, the name L Dumont and bogus date 1782 at the lip and lion mask headed handles, 17cm wide, approximately 297gm/Provenance: Spetchley Park
• 4pc Early Aviation Real Photo Postcards.
  4pc Early Aviation Real Photo Postcards. Includes 'Ely Alights Aboard USS Pennsylvania' (Weidner), 'Ex-Pres Roosevelt with Art Smith Pan Pacific International Exhibition 1915' (Cardinell-Vincent), 'GH Curtiss Hammondsport N.Y.', and Santos-Dumont Airship No.7. All unposted; Dumont was previously glued into album and has paper affixed to back.
• 19TH C. DUMONT SKETCH OF A BALL GRAPHITE
  19TH C. DUMONT SKETCH OF A BALL GRAPHITE ON PAPER A. Dumont, Sketch of a Ball, graphite, watercolor and white gouache on paper, dated August 1826 lower left, signed lower right. Image: 10.5" H x 16.5" W; frame: 17" H x 22.5" W. Provenance: Removed from an estate located at 160 E 65th Street.
• CARTIER SANTOS DUMONT WATCHCartier Santos
  CARTIER SANTOS DUMONT WATCHCartier Santos Dumont watch has adjustable Cartier leather strap with deployant buckle and 18K gold square case back with cream dial and Roman numerals. Marked Cartier, Made in France ALK, 823245CE 2850, Water Resistant, 750. Case measures approximately 36 x 32mm.
• L. DUMONT (HAITIAN 20TH CENTURY) 24"
  L. DUMONT (HAITIAN 20TH CENTURY) 24" x 20" Jungle scene painting. Oil on canvas, signed lower right, in a wooden frame with linen liner, overall 28" x 24".
• DUMONT OSCILLOGRAPH OSCILLOSCOPE CAMERA
  DUMONT OSCILLOGRAPH OSCILLOSCOPE CAMERA DuMont Oscillograph Record Camera, Type 299/302, with Polaroid Type 2620 back. Includes case and shutter release.
• THE COMPLETE WORKS OF TOLSTOY IN RED
  THE COMPLETE WORKS OF TOLSTOY IN RED LEATHERThe Complete Works of Lyof N. Tolstoi, 23 volumes, E.R. DuMont, New York, Chicago, published 1898-1899.Measure 8.125 inches each.Very good condition, noting light shelf wear.
• French Gilt Bronze Figure of ??~Milon
  French Gilt Bronze Figure of ??~Milon de Crotone??T Rending the Oak 19th century after the model by Edme Dumont (1722-1775) on titled black marble base 17.5" (height) 44.5cm (height)
• Eugenio Alvarez Dumont ''A Day by the
  Eugenio Alvarez Dumont ''A Day by the Lake'' oilpainting on canvas. Canvas: 24''H x 36''W; Frame: 33''H x 45''W. Signed lower left ''Eugenio Dumont''. Eugenio Alvarez Dumont (Spanish 1864-1927). Circa - Late 19th or Early 20th C.
• Dumonthier Pinfire Knife Pistol .11mm
  Dumonthier Pinfire Knife Pistol .11mm pinfire 6'' barrel S/N 253. With a 12'' clipped-point blade that is 6'' longer than the barrel; 18'' overall length. Knife blade with etched panels on both sides of the blade. The blade is marked on the left side of barrel Dumonthier. Lanyard ring in the butt walnut grips. Condition: Metal is nice and sharp with nice untouched brown patina. Grips are very dark with some nicks and dings. Etched panels are visible.
• Dumont/Dumant Fran?ois [French 1751-1831]
  Dumont/Dumant Fran?ois [French 1751-1831] miniature portrait on ivory of a young woman 19th c. signed middle right edge "Dumont" and mounted in an ivory veneered frame. 3.5"x2.5" overall 7"x6"
• * (ART HISTORY) A group of eight works
  * (ART HISTORY) A group of eight works pertaining to art history including four pertaining to ethnographic art. The Modern Woodcut. By Herbert Furst. London: John Lane The Bodley Head 1924. Das Bauhaus. By Hans M. Wingler. Koln: DuMont 1968. Collage. By Herta Wescher. New York: Harry N. Abrams (1964). L'Art Nouveau en Catalogne. By Francois Loyer. Geneva: Atelier d'edition 1991.The Fuller Collection of Pacific Artefacts. By Roland W. Force and Maryanne Force. New York and Washington: Praeger 1971. The Arts of the South Pacific. By Jean Guiart. New York: Golden Press 1963. Paracas Fabrics and Nazca Needlework. By Junius Bird. Washington: National Publishing 1954. American Ceramics: 1876 to the Present. By Garth Clark. New York: Abbeville 1987.
• 19th Century Miniature Oil on Board
  19th Century Miniature Oil on Board coastal scene with villagers and rowboat signed Dumont image area 4'' x 5 1/2''.